andrea guarneri การใช้

• Andrea Guarneri produced some fine violas, one of which was played by William Primrose.
• Andrea Guarneri, who eventually founded the Guarneri Family of violin makers, was a pupil of Nicola.
• Eventually entire instruments appear to be made by Pietro Giovanni's hand, though they contain the original Andrea Guarneri label.
• Dmitry has two cellos, which he uses for his cello concerts, a Joseph Filius Andrea Guarneri and a Matteo Goffriller.
• Andrea Guarneri was the first master to make this distinction; the Amatis never did this, though later Stradivari adopted this idea.
• You can see an example in Lisa del Giocondo, a short featured biography about an Italian from roughly the same time as Andrea Guarneri.
• The workshop of Andrea Guarneri was one of those who profited from the demand for less expensive instruments that still had the prestigious " Cremonese " designation.
• Antonio Stradivari, Andrea Guarneri, Nicolo Amati and other master instrument makers crafted stringed instruments that were highly prized, widely imitated, but never equaled.
• In the 1600s and 1700s, the tradition rested primarily in northern Italy in shops run by Stradivari, Nicolo Amati, Andrea Guarneri del Gesu and others.
• He plays a 1766 Carlo Ferdinando Gagliano violin lent him by the Salvatore Cicero Foundation in Palermo, and also a Andrea Guarneri ( Cremona, 1686 ) violin.
• The Scrolls when made by Andrea Guarneri were generally neat, but when assisted by Giuseppe Filius, one may notice that they were more youthful not necessarily more finely finished.
• The Witten-Rawlins Collection of early Italian stringed instruments crafted by Andrea Guarneri, Antonio Stradivari, three generations of the Amati family, and others by far surpasses any in Italy.
• Of his pupils, the most famous were Antonio Stradivari and Andrea Guarneri, the first of the Guarneri family of violin makers . ( There is much controversy regarding the apprenticeship of Antonio Stradivari.
• In his will Andrea Guarneri recorded for posterity the bitterness he felt toward his elder son Pietro for having left the family and moving to Mantua, and for his ingratitude to them even before that.
• The workshop owned a fine collection of instruments from all the famous makers including Antonio Stradivari, Giuseppe filius Andrea Guarneri, Francesco Ruggeri, Nicolas Lupot, Jacob Stainer, and Jean-Baptiste Vuillaume.
• Andrea Amati's two sons, Antonio Amati and Girolamo Amati were also highly skilled violin makers, as was his grandson Nicol?Amati, who had over a dozen highly regarded apprentices, including Antonio Stradivari and Andrea Guarneri.
• *"'Andrea Guarneri "'( c . 1626-7 December 1698 ) was an apprentice in the workshop of Nicolo Amati from 1641 to 1646 and returned to make violins for Amati from 1650 to 1654.
• Andrea Guarneri also pioneered a smaller sized violoncello, which evolved over the course of his lifetime from the Amati form and style, though credit may also be due to his acquaintance and competitor, Francesco Ruggieri who made many'celli in the same period.
• Among the makers whose works he copied were of course Stradivari, often the early Strad Amatise types, Guarneri Del Gesu, G . B . Guadagnini, Januarius Gagliano, Mantegazza, Tommaso Balestrieri, Andrea Guarneri, Pietro Guarneri of Mantua, Camillo Camilli as well as Gabrielli.
• His findings, published 1886, in the manuscript entitled " LIUTAI ANTICHI e MODERNI ", and now available online in PDF format on Google Books clearly shows that Joseph Guarneri'del Gesu'was the son of Gian Battista Guarneri : who was in fact the younger brother of Andrea Guarneri ."